Wendy Lands: The Woman of 10,000 Voiceover Hours

Author Malcolm Gladwell says, “if you want to be an expert at anything, spend 10 years or 10,000 hours, and you’ll become one.”  Well Wendy, you made it.

As of one Canada’s most famous voices, Wendy Lands is a vocal star.  You’d have to be deaf to disagree.     

Enormously humble and overwhelmingly friendly, this renaissance woman of the microphone affects you right away, just by saying hello.  She embodies the term “The IT Factor.”      

But that became well known years before her voiceover career developed, because Wendy was once a charting record label singer.

By all indications, Wendy should have wound up as a singer. Music was in her life from her earliest recollections. “As an only child, I always felt different,” says Wendy, “But I was never pushed into all of this.” 

A proud college dropout like Michael Dell and Bill Gates, Wendy’s knowledge of the world superseded what University life offered her, so just like in high school which she also hated, “I just sort of tuned it out and dropped out of college.”

She got a record deal straight out of college, and this set the stage for what Wendy already knew; this was to be her life’s work. “It certainly became apparent when I was hearing myself on the radio singing a song.”

Wendy found voiceover to be more enjoyable than singing. And even at this level, Wendy still auditions for any new client she presents herself to. “And people want to be around me because I’m so easy going,” she tells me, “There’s an etiquette to being in the studio, and I know when to talk and when to not.” 

Perhaps most notable of all of Wendy’s credits is Canada’s most beloved commercial for BELL ATLANTIC of which Miss Lands of course is the voice for.

She hasn’t hit her stride. Wendy feels her very best work is the voicework to come.   But no question about it, she’s hit the 10,000-hour mark, and then some. 

Daisy Stracener: The New Flower in Voiceover

daisy stracener holding a daisy

Daisy is as fresh as a spring day when it comes to voiceover. And although she may be new to the voiceover scene, she’s no stranger when it comes to the business of show. And right away, you can see the promise of the future:

With less than one year in the business full time, Daisy Stracener is showing encouraging signs of what could be.

“I’m definitely doing this for the rest of my life,” She says.  And at 41 years old, she’s been looking for the brass ring all of her life.

Since her childhood, Daisy has been interested in the stage. Learning tap-dancing at the age of four.

“When I was 10, my dad moved to LA and he brought me to the private art school Louis Caroll Academy.” So, Daisy was given the luxury of studying performing arts at a very young age. Through this, Daisy by-passed many subjects that normal middle schoolers were required to take as part of their curriculum.  It’s a concept that most American school systems do not facilitate, but in Daisy’s life, it was what gave her somewhat of a shortcut.

Her parents knew that this little girl wanted to be a part of the arts. Above is a photo taken in the living room, when Daisy wanted her parents to see what she had come up with for very important audience of two.

In 1998, Daisy was cast in the independent film “Baby Blues” and unlike the other cast mates, Daisy had her mind only on the project. This was an unusual mindset for a teenager. “I never partied, and my dad was my rock of Gibraltar, always there to keep me steady and focused,” she says. 

Caption: Daisy on the set of the movie “Baby Blues” circa 1998

By high school, Daisy was fully focused on a career in performing arts and in the year 2000, she began to perform in coming-of-age theatrical productions.

Caption: “The Educated Heart” circa 2000

“To me working a 9-5 would be depressing,” Daisy tells me. “And that was the last thing on my mind.” 

As life would have it, Daisy would go on to get married and have a child. While not a 9-5, this took her out of the quest for searching for the rainbow for some time.

But in 2021, a friend of hers suggested she try voiceover. Lightning can strike twice. For Daisy it did.

And so now at mid-age, Daisy is using all she learned from childhood, education and experience to create yet another career, one as a voice actor.

“It’s all acting,” she says. “The only difference is your audience is your microphone.”

And as fresh as the morning dew, the woman whose name represents that of a spring flower, is blossoming again. 

Debbie Irwin: The Late Bloomer in Voiceover

Debbie Irwin with a Cow Then (and her older brother Gary).jpg

To say that Debbie Irwin is a late bloomer would be an understatement. “I didn’t discover voiceover until I was 45 years old,” she says.

Debbie Irwin in her VO Studio

With an enriching childhood being raised off and on in Rome, Debbie saw the world as so many children do not. “Nature is amazing, and I had a front row seat.”

Young Debbie with a horse statue in Rome

With a father as an entomologist, and a mother as a therapist, Debbie was immersed from the beginning with the importance of knowledge, education and learning.

Her parents pulled no punches on the importance of only the very best in education. So, while Debbie started at the University of Chicago, she wound up being a student of Brown University.

For the uninitiated, Brown holds the distinction as one of the world’s finest academic institutions in the Ivy League with only a chosen few allowed to attend.

“Brown was a happy healthy place, and I picked semiotics as my major which is the study of signs and symbols in cultures.,” Debbie tells me. And it was there at Brown, that Debbie took an interest in radio and TV.

Before voiceover she experienced the NYC scene in the 80s, working in various jobs, discovering herself and experiencing the phenomenon of disco. It permeated the New York night life and had an effect on millions of people around the world, and Debbie was right in the thick of it.

She even spent five years as a stockbroker. But when voiceover intercepted, Debbie became hooked…

Nowadays, Debbie’s forte is medical narration. It’s THE most difficult genre to master and THE leanest of all voiceover genres amongst voice over artists. But it appealed to Debbie because of its difficulty.

Hear Debbie’s masterful delivery of medical narration on her website: https://debbieirwin.com/medical/medical-narration/

Debbie’s talents are not limited to just medical narration:

Treasures of New York – Museum of Modern Art – Narrated by Debbie Irwin

Deeply entrenched in wellness, Debbie cares deeply about mental health issues.  Her devotion to living a full and happy life is evident in her work involving people’s emotions. It’s evident in her voice.

So now fully outfitted with a home studio, Debbie Irwin has reinvented herself into a medical and wellness voice talent that cares very much about the message she sends using her voice.

And at 67, Debbie, the late bloomer, has finally arrived.

Debbie and her husband Michael

Connect with Debbie on her website and social media:

Website

Facebook

Instagram

YouTube

LinkedIn

Byron Wagner: The Wizard of Words in Voiceover

To say that Byron Wagner is not a wizard is beyond the grasp of how anyone would describe him. As one of the nation’s premier audiobook narrators, Byron is in a distinct fraternity of sound, which is popular only with the very few because “99 percent of all voiceover artists do not work in narration,” he tells me.

Byron describes his youth as less than impressive. ” I was the classic underachiever,” he tells me.   Born in Nebraska, the oldest of three boys,  Byron now lives in the thick of it in Los Angeles. But he was given a talent grant from Ohio University. And it was there that the philosophy of education was distinct. “Broadcasting and journalism should be fused.”  So, under that alignment, Byron began to think of voice and information as one item. “It had a huge effect on me.”

Byron (center) with his family.

Carved out by the system in his childhood as a gifted and talented student, “it wasn’t helpful because schools were molded for the working class,” Byron tells me. So, the now very well-known narrator could lean on his childhood background, being highly involved with acting and magic.

Byron, then and now, using his voice and creating “magic”.

Now, at the peak of his career as a narrator, Byron mentors (25) students at the same time to teach them everything he knows about voice and how to use it in the digital age. “And I realized early on that the radio business was not about art but about sales. “So, upon realizing that, I got out of the radio business.”   This opened him up to new audio worlds outside of radio, which was his beginning in the world of sound and voiceover.

As the inventor of audio codec, Byron was in a class of his own.

He created technology and taught others how to develop their talent while working in the voiceover business and audiobook narration.

But to be clear, “I did not create the underlying mathematical algorithm for compressing the digital audio. However, I created the first successful commercial real-time hardware implementation. Disney first used it on Lion King and increased $300 million in revenue.”

Now, at 72 years old, Byron produces thousands of words daily under the glowing pressure of authors and publishers, and it all works well. His career is that of a sophisticated artist in the purest sense. Audiobook narration from top writers. Teaching twenty-five students at a time. And remaining highly active and focused on technology as it continues to affect our modern world.

Just completing the audiobook of Henry Kissinger titled “Genesis,” Bryon is in a unique position. It’s called the top. The top of voiceover where very few can hang. But for the very few that can, they are in a class all by itself. It truly demonstrates wizardry. And that’s what makes Byron Wagner a wizard of words.

#voiceover #voicetraining #voiceactor #audiobooks #narration #ByronWagner

Rebecca Haugh: The Dream of Voiceover, that came from a Dream, Literally

Rebecca Haugh has a very cool life. She’s a voiceover artist who splits her time between Italy and California.

“And it all came to me in a dream,” she says. “I dreamed I saw a microphone through a window.”  Some people pay attention to dreams, and some don’t. Rebecca did. And that resulted in this.

Heavily cultured and degreed in television, film, and broadcasting, Rebecca had ample experience in all forms of show business before voiceover became a full-time occupation.

So, it wasn’t until later in life that Rebecca had an epiphany. “That’s how I’ll live internationally; I’ll do voiceover.”  And that’s exactly what she did, and it worked.

Rebecca’s first national ad.

Here, again, is an example of the gift that voiceover offers the cultured person. “I’m a digital nomad,” she says, “and I can be anywhere on earth from California to Rome and still deliver with the very same effectiveness.”

And she’s right. All the producer of any project is looking for is an exceptional performance. And Rebecca does that.

So, being as creative and seasoned as Rebecca, in fact, is - she imagined how to live a fascinating life in the arts, as she lives on the planet wherever she wanted to. It worked. www.LovethatRebecca.com

Educated at San Jose University, her fascination with broadcasting and all it entails took her down a road for years of being on-camera and remaining relative. And with a professor for a father and living as a playful kid in Culver City, Rebecca became an original. 

She could act. She could host. She could produce marketing and graphic design. She could do it all. And all that background led to the world of voiceover. “Because in VO, you do not have to live in LA or go to an office, and you can set the course of your life on your own terms.”

And Rebecca loves voiceover because of the anonymity. “Nobody knows who you are, and I like that,” she says. “I created this life.”

And amid this freedom, Rebecca created her project www.voimprov.com. It’s a way to teach the younger or older generation a great way to be original.

All of these ideas came to Rebecca through the course of several reinventions. From one stage to the next, she proved to herself that one size does not fit all. And she may be in the countryside of Rome, Italy, or somewhere in California, but you’d never know.

So, if you ever feel in a funk in your voiceover career, think about Rebecca Haugh. She took her dream of a microphone, which literally happened to her during sleep, and “I listened to that instinct.”

Next on her imaginative list is to host a show as the narrator. “I like animals, and I’d love to wind myself into narrating a show like that,” Rebecca tells me. “Not a serious show, but one written with a lighthearted touch.”

In summation, she is free to live in the business she loves and vagabond enough to live some in Italy and some in the U.S. Rebecca has the liberty to do anything she wants to do whenever she wants to do it.

Artistic people have a way, once seasoned, to create a life they want, not one a corporation has planned. And so, there is no question about it: Rebecca Haugh has a very cool life. What a dream!

Emily McGonagle: From a Lawyer to a Voiceover Artist

Emily McGonagle is a lawyer.

Well, she was. “It was three o’clock in the morning, and I was preparing for a case, and then it hit me,” Emily tells me. “I don’t think I want to be married to my job.”  And so, in that flash of a moment, Emily decided that the field of law that she was practicing in the UK was not for her. “I didn’t care about doing this job, and my heart just wasn’t into it.”

And that’s a recurring theme in the world of voiceover. People reinvent their lives because of the circumstances they are in, which they don’t want to remain in. After all, when have you ever cradled your baby as you speak to your spouse and say, “Honey, someday she’ll be a voiceover artist.”  It doesn’t happen. Everyone who’s in voiceover got there unintentionally.

Emily hails from Colchester, England, in Essex County, and grew up in a close-knit family. “It was a normal childhood, and I was singing and dancing at three years old,” she says. And while always academically inclined, the arts were not on her teenage radar.

Emily attended the University of Bristol in England and also spent a year studying in Bordeaux, France. She got a Law and French degree and went on to train as a lawyer with an international law firm in London. “It was that TV show “Ally McBeal” that was the image I held in my head, but it wasn’t like that at all.”

Emily got married and suffered an ectopic pregnancy, undergoing emergency surgery, which devastated her. But luck smiled on Emily, and she had a successful pregnancy. That was followed by another child. And all along, she was searching for a business she could practice at home while caring for her children, and that’s when voiceover appeared in her life. “I had no acting background, but I loved the idea of doing character voices and animation.

Within a month, Emily booked her first job. Ultimately, Emily would book one in twenty-four. And for the uninitiated, booking two in a hundred is considered a success. “I’d always had an ear for accents, so Irish and Australian and Regional English and the general American dialects” were voices she could do.

“Gargoyle Doyle” the trailer

Emily has an affinity for cartoons. “I love entertaining characters and find that joy in cartoons.”

Me, The Family Pet?” voicing Rex and Sally.

In terms of how she finds the voice, her explanation is simple. “It depends on the character, so I need an image in my mind.”

“Fire Spike” voicing Mummy Dragon and Dr. Purr.”

 Commercials are also within Emily’s voiceover range.

Dr. Beckmann TV commercial

 Corporate explainer videos are also an area in which Emily excels.

Nominated for the One Voice Award for 2024, Emily got the nod for Best Character Performance in Animation.

And of all the payoffs that voiceover has brought into Emily’s life is her family. Voiceover and being a mum work well in Emily’s life. www.emilymcgonagle.com

And so, at 40 years old, Emily reinvented her life and is one of the most sought-after character voices available.

No question about it; Emily McGonagle no longer reports to the boardroom, and her lawyer days are behind her now.

#voiceover #voiceovertraining #voiceoverclasses #voiceacting #voicecoaching #EmilyMcGonagle

Moji Doyle: The Privilege of Voiceover

Little Moji Doyle was born into privilege. “From the beginning, we wanted for nothing.”

Enrolled in private school, Moji was exposed to the regal sector of society, with children from around the world—children like the heirs to the Guinness beer dynasty.

Educated in Europe, her mother was from Germany, and her father was from Iran, and he practiced medicine. This gave the family social and financial status that so many children are never exposed to.

Moji on her first day at school

 The school was for children of the world’s most privileged families.

As she grew into her teens, Moji remained interested in languages and continued to excel, “but never thought there was anything unusual about it; it was just so easy for me,” she says.

Her good looks, or what’s termed nowadays as “pretty privilege,” remained a dominant aspect in her life. She modeled. And here’s a shot of a professional photo shoot.

The opulence of wealth creates opportunities that so many are never privy to. So, here’s an example of one of her mom’s hobbies: flying. Her mother became a pilot. “And she was the most wonderful mother in the world,” says Moji.

As Moji entered her college years, she wound up studying in France, “and it was a language-based school, and I found learning different languages so easy for me.” She earned a bachelor’s degree in “Applied Languages,” encompassing German, French, English, philosophy, law and economics. “The goal was to become an interpreter,” says Moji.

Moji’s first job was as an event planner in Nice, France. “And my language skills were a real asset to work in this field because I could speak three languages fluently.”

In the early 90s, she met her husband and moved to the United States in 1994. Other jobs would come along, “and I’d get scooped up because of my language skills,” says Moji.

When she was a child, “We loved American movies with big stars like Rock Hudson; I was just fascinated by these big actors,” Moji tells me.

And that’s why she took such an interest in show business. “My first VO gig was to translate into French and voice a radio interview featuring Paula Abdul, which was later aired on a regional French radio station,” Moji tells me.

“My second job was in Florida, where I translated for free, and I loved it,” Moji comments.

Moji, then being a fitness buff, developed a school for pre-natal fitness. “I’ve always been into wellness,” she says. That lasted for fifteen years.

But in 2019, before her divorce, Moji experienced an ah-ha moment. “Voiceover kept coming back into my life, so I got involved with a trainer and entered the commercial voice world. It wasn’t without challenges. “I had to live on my savings to make it through the rough patch.”  But here’s what came of it.

But unbeknownst to her, Moji’s voice was needed, as always in another language, so she began to voice in French.

And then came yet another language that she’s fluent in - German.

Moji reflected on her early years and how no one really explained and coached her on how the voiceover business works. So, she started a school for newbies and those in later life who want to reinvent themselves. “Nobody tells you all of the details outside of your voice how to succeed,” she says. “I teach the full array of the business from finance to how to find your voice and how to market.”

Moji presently lives in Palma de Mallorca, in the Balearic Isles, a 30-minute flight from Barcelona and the mainland of Spain. “I walk around and look at my surroundings and am baffled at what I see.”

And it is here that she lives as an international tri-lingual voiceover artist. And location doesn’t matter because she’s got a home studio.

She’s on her own now. The kids are grown. The marriage reached its conclusion. But the passion for life and its beauty is a staple in Moji’s life. She’s found a way to live on her own terms, where she wants to live.

And that, alone, is a privilege.

#voiceover #voiceoverclasses #voiceovercoaching #voicecoaching #voiceacting #mojidoyle

Lorena Belcher: The Bowhunter in Voiceover

Lorena Belcher is a bowhunter, “and I never put the bow down until I’ve made the shot.”

Lorena parallels the philosophy of actor Jim Johnson. Jim believes, “We miss a hundred percent of the shots we don’t take.” Jim, pictured here as a criminal, is not. But you’d never know that unless I clarified because the picture is so convincing. Jim always takes the shot. “And I always will.”

 Lorena Belcher is also an actor, a voiceover actor. “And I always take the shot,” she says, “because if I don’t, I don’t have a chance.”

And so, now begins the story of a woman living in Hico, Texas, who is, in fact, a voiceover artist. She’s on a 168-acre ranch, completely isolated from the entire world. “It’s real quiet out here, and I like it.”

She’s impossible to cast as the voice of a witch in a video game because her unique style was influenced by her authentic, non-apologetic country-girl background.

Lorena’s likeness to that of a bowhunter is just like the mindset she takes on in voiceover. “If it’s not a perfect shot, it’s not a shot I wanna take,” she says. “Because using a bow is just like delivering a voice track; it’s got to be a perfect shot, or all is for loss.”

Raised in ranching, Lorena comes from the backwoods of Texas.  Lorena was not interested in sports but very motivated to sing in the choir. And that one decision would end up getting her a scholarship in singing at Tarleton State University. “It was something I could really do, and that was to sing.”

Years would pass. Lorena would marry. Have a family. Then, become an empty nester. But in 2019, Lorena recorded an on-hold message for a company, which would be her unique entry into the voiceover business.  “It just felt right and was a perfect shot,” she says.

Then COVID hit, and her father passed away, “and I was really floundering.”  But what voiceover did is it offered this backwoods country girl a chance to develop the voice that she’s known for. It’s highly specific and overwhelmingly noticeable.

Over and over again, Lorena kept getting cast in material that fit that country girl image.

Presently reinventing herself on the edge of 60 years old, Lorena believes that if you just put yourself in the situation of a good shot, you’ll probably hit your target.

Lorena does demonstrate a gentle comedy range and, in this case, was able to illustrate her edge of comedy, which fits right into this national brand.

A big fan of cars, trucks and equipment, Lorena fits right into the voice for automotive.

Raised by an extended family, Lorena believes her life actually began from a foundation of a strong supportive family. And it was here in rural Texas that she feels her habits of being a family woman began.  And it started for her as a little girl.

“Ya know, I’m so used to being alone. I don’t like crowds, like a concert, but I love the microphone because that’s where I get to tell stories, and no one is around,” she says.

https://atexasgirltalks.com/

And Lorena is at home in the middle of nowhere, so she can create without pressure. “This quiet environment is perfect for how I want to create in the world, and I get perfectly into voicework.

So, there’s no question that Lorena’s specialty is a far cry from the voices of Hollywood. But then, that’s not a shot that Lorena would want to take. “So, just like bowhunting, I think voiceover is always takin’ a shot…because unless you do, you’ll never succeed.”

#voiceover #voiceacting #voiceovertraining #voiceoverclasses

#LorenaBelcher

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